8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!
8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!
HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.
HyperDeck Shuttle HD is a recorder and player that’s designed to be used on the desktop! That means it’s more than a master recorder as it can also be used as a clip player. The large search dial is perfect for scrolling through lots of media to find the clip you want to play. The HDMI connections allow connection to switchers, cameras and monitors. It even has a built in teleprompter!
For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD
models, combined with incredible processing for working in Ultra HD. This model’s
SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI
outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill
and key out. The HDMI connections and the ProRes and DNx file formats all switch
between SD, HD and Ultra HD television standards. Like the other models, H.264 is
included for SD and HD, but then switches to H.265 when recording in Ultra HD.
Even the networking has been upgraded to 10G Ethernet for incredible speed!
You also get 2 redundant AC power supplies!
The most compact model of HyperDeck Studio is based on the Teranex Mini form
factor. This modular design means that you can use a Teranex Mini Rack Shelf to
rack mount 3 HyperDeck Studio HD Minis in a single rack unit, or you can combine
them with other products such as switchers, converters or streaming processors.
It might be small, but you still get powerful features, such as 3G-SDI in and out,
HDMI output, dual SD card media slots, built in sync and timecode generators,
front panel controls and both AC and DC power inputs. You can even connect the
USB to a computer as HyperDeck Studio HD Mini works like a webcam so you can
use any video software!
HyperDeck Studio HD Plus includes all the features of the Mini model, but is larger
so it has more space for extra controls and extra connections. This model adds 6GSDI
so it can record and playback ProRes up to Ultra HD 30fps, and it includes an
SDI loop out and HDR support. Plus the two 6G-SDI outputs allow fill and key
playback up to 1080p60. There is also an HDMI input and a dedicated 3G-SDI
monitoring output with overlays. Any button pushed on the front panel is sent to
a dedicated RS-422 remote output and the DC power is now a broadcast style XLR
connector. The front panel is also upgraded with better transport control buttons,
a headphone socket and built in speaker.
The HyperDeck Studio HD Pro includes all the features of the Plus model but at
a full rack width size, there’s space for more features! The larger model has space
for two SSD slots but still includes the two SD card slots of the smaller models. This
means you can instantly move media cards between different models of
HyperDeck Studio. You get the nice transport control buttons as well as
a machined metal search dial with electronic clutch for limiting rotation when in
shuttle mode. There are also dedicated buttons for jog, shuttle and scroll search
dial modes. The rear panel has extra space so the timecode connections have
been upgraded to XLR connectors.